Juan el loco, 1952
Oli on canvas 116 x 89 cm
A fundamental painting in the transition period is this John the Madman.
This painting the largest signed by him to date, keeps its dark tones but we
can seee how de colour wants to escape from the dominant blacks. The
brushstrokes flow rhithmically giving body to the fields and clouds, the
scenery is unreal, deformed by an expressive desire.